The sub-moronic ramblings of a semi-functioning illiterate

Posts tagged “genre

Genre Definitions

I’ve recently entered a short story competition sponsored by NYC Midnight. They assign genres, topics and characters as prompts for your story. They have a list of genre definitions that I found extremely helpful. You can find it below and here as well.

GENRE DEFINITIONS

Action/Adventure

A suspenseful story in which a mission involving risk and danger forms the primary storyline. The protagonist, who is typically operating outside the course of his or her daily life, embarks on a journey to confront obstacles and prove worthiness. Action sequences are frequently featured, especially those involving chases, explosions, and attacks. This genre has its roots in Greek and Medieval literature, including Homer’s classic epic poem, the Iliad, which tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. (more…)

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Jazz, Jesus and the 1 Star Review

jazzEvery so often there comes a moment when we see ourselves through another person’s eyes. Determining whether that’s good or bad depends entirely on what we see. Most of my epiphanies are delivered in the form of my sister telling me my ass looks fat in my jeans, whether I ask for her opinion or not.

Commentary on my fat ass or bad breath I can handle, but what I wasn’t prepared for was the reality of personal feedback in the form of reviews for my novella, Reapers With Issues.

Before I begin I’d like to state that every reader who reviewed my work negatively did not condemn me personally for what I’d written, despite not particularly enjoying the book. I’ve read reviews of other books where the reviewer took the author to task, and I am happy to say I’ve been blessed with a classy group of readers who didn’t feel the need to blast me.

I guess what confounds me most is that I expected there to be more blow back for subject matter. Portraying Jesus as a closet homosexual and writing a scene where Genghis Khan violates a shi-tzu wasn’t going to win me an audience with the Pope, and I knew that going in. I also prepared myself for a critique of the quality of the writing itself, which as it turns out I didn’t receive much of. What I did get was essentially the same question, asked in so many words, of what kind of person could conceive of the Reapers idea at all. Again, good or bad depends entirely on what we see.

[enter the dreaded introspection process]

The first thing I did was try to answer the question of what kind of person I am. Despite an obscene amount of navel-gazing I am no closer to that answer now than I was when I began. My motivation to write Reapers With Issues was just as strong and the subject matter just as easy to conceptualize as Gods of Asphalt’s was, so identifying a specific default in thinking didn’t pan out. The truth is that I’ve got a hundred different stories buzzing around in my head; everything from harmless children’s stories to British comedies to even more Reapers sequels (oddly there’s nothing milling around in there that remotely smacks of Erotica, but that’s a post for another day after an hour on a couch).

So after an even more shameless bought of self-contemplation I began to ask myself a different question, “Why do any of us write what we write?”

Do we choose our genre or subject matter because of who we are, or because of what we make of the world around us? I imagine it’s no coincidence that Reapers With Issues was written during the darkest hours of a friend’s battle with cancer, or that Gods of Asphalt was written while stuck in bed, listening to my two teenaged sons bicker amongst themselves and argue with their father.

It is also not lost on me that I wrote Reapers With Issues from a third-person point-of-view, allowing me to observe at a distance the story of a Reaper whose best efforts to gather souls are thwarted by a Savior, or that the overall theme of Gods of Asphalt is how brothers cope when their mother isn’t around.

I suppose in the end what we choose to write comes from the harmony of both who we are and what we see. I’ve learned that whether my writing is received as harmony or dischord depends entirely on who’s doing the reading, and no amount of alteration of my “music” will accommodate everyone.

For the record, I’m fine with that. I am a Jazz fan, after all.